GM had its H2. Ford had the Excursion, a Mount Rushmore-sized SUV based
on the company's Super Duty truck platform. Dubbed the Ford "Valdez" by
the Sierra Club, the Excursion was a passenger vehicle of gob-smacking
proportions. It weighed 7,000 lbs, measured almost 19 ft. long and stood
6.5 ft. tall. At the time, Ford argued that many of its customers —
ranchers, farmers, um, tugboat enthusiasts — needed a vehicle this big
with over 10,000-lb. towing capacity. Maybe that was true, but that
didn't keep Suzy Homemakers from driving them to the mall. To its
dubious credit, the Excursion pioneered the use of the blocker bar, a
kind of under-vehicle roll bar designed to keep the Excursion from
rolling over anything unfortunate enough to be hit by it. The Simpsons wrote the Excursion's cultural obituary in the episode where Marge buys the "Canyonero." "Can you name the truck with four wheel drive, smells like a steak and seats thirty-five...Canyoner-oooo!"
What makes a car bad? Is it the car with the worst exterior styling? The most dreadful interior? The most uncomfortable ride? The least reliable/most poorly made? Or is it a dismal combination of all these factors? For our purposes, the worst car in the world is not only the vehicle that incorporates the most of these negative traits, but also more importantly, has no redeeming qualities of what makes a car great whatsoever.
Friday, December 11, 2015
1998 Fiat Multipla
"Multipla" is a time-honored name for Fiat. The company made an adorable
microvan by that name in the '50s and '60s, based on the Fiat 600. The
Multipla that appeared in 1998 was anything but adorable. With its
strange high-beam lenses situated at the bottom of the A-pillars (base
of the windshield), the Multipla looked like it had several sets of
eyes, like an irradiated tadpole. It had this weird proboscis out front
and a bulky, glass cabin in back, and the whole thing was situated on
dwarfish wheels. I rented one of these in Europe and it worked
beautifully, but it was just so tragic to look at. The Multipla (and the
Aztek and the Consulier GTP) reminds us that cars cannot just work
beautifully. They have to be beautiful. At least they can't look like
this.
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